Sigma fp codecs1/9/2024 delivers an extremely high quality output and at the same time The most minimal set up possible but one thatĢ. However, I make no secret of the fact that I am always looking for the perfect set up for my needs which are:ġ. I hate change for change sake and prefer stability. If something else cannot do something quantifiably better for my specific needs, I won't change. Nikon possibly, but highly unlikely to be Canon or Sony.īut I am not actively looking to switch for the sake of switching. Stick with what I currently have for at least another year.Į. OK, I could make a Fuji system work, but right now, I prefer my current set up.ĭ. I was a Fuji guy and could be a Fuji guy again and the only reason I am not currently a Fuji guy is because they currently do not have the system that works for me. Fuji GFX 100s for stills and a pair of XH2's for video. of the FP could tempt me to move from the S1H.Ĭ. If I could, I'd go entirely Sigma, but struggling a bit as things stand with the FP-L vs the S1R and the FP vs the S1H, but this config. My second preferred option would be to go as Sigma as possible. Particularly interested in any possible S2H/R providing it would 100% be available from early Spring.ī. Preferred option to stick within the L Mount system, but possibly move a body or two around from the current line up of S1H, S1R and S5. Most likely, if I'm going to do it, it would be towards the end of my season, so mid/late September because by that time, I will need to have made a decision re. I'd switch to an OIS prime once it got dark and whilst I don't think (?) there is a native f2 or faster option (with OIS), there are a couple of adapted options. My 'go to' focal lengths are: 20-50mm indoor and 35-105mm outdoor and the 24-105 obviously covers that except the extreme wide end. I think I could give this a go later this year, but use the Lumix 24-105 purely because I would want the stability and requirement to not change a lens, ie, try a used FP and the lens I already have and then go from there. Here's a couple images with a 28mm FD lens (also a very nice combo)Īctually, just yesterday I was researching a rear mounted option such as this because I utterly despise the top mounted option everyone else seems to use! I have my monitor mounted on the back, so to the person being filmed, it doesn't look much bigger or more intimidating than the actual camera without the monitor. Braw works pretty well in Premiere now, and you have the added benefit of changing the angle of the screen. I will say though, monitor on for external raw is well worth doing. It's so light weight and the footage is fantastic. I have exactly the setup you're talking about, and absolutely love it. There's something about an FP-L for stills plus FP for filming (plus static S5 or S1H on tripod) that appeals, but probably still too many compromises for me. The only thing is I'm an Adobe suite user and Cinema DNG doesn't play well with Premiere I believe? Really though, I wouldn't want to spend much money on it so it would ideally just be a used FP and a spare battery so one could always be on charge. Certainly not with an additional screen, but a base mounted drive could be an option. I'm actually quite tempted to get a used FP and stick the Smallrig cage with wooden handle on it plus my Lumix 24-105mm f4 (for range, stability, OIS) and try that as a run n' gun unit.
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